Journeyman

50cc

• [sample] 00:47 - (unintelligible) Just to celebrate. I'm going to (unintelligible), you? Afghanistan, it's the other direction. Beautiful! What? Those roses. (unintelligible) things. Not going out? I wasn't hungry. What about you? I wasn't hungry either. It must be very satisfying. What must be very satisfying? Well, to be able to paint as well as that. I expect you could if you would practice. Come on give it a try. No, I couldn't do that! Go on. I'd have said you're artistic, looking at you. No. (unintelligible) stories (unintelligible) used to write them down. But apart from that, well, they say I had imagination. ...Right! Hehe! OK! Take her up. Come on Lisa.
• [source] - Unknown: Do you know?

Biscuits

• [sample] 00:28 - They should be passing through there about now...
• [source] - Dark Star: (John Carpenter, 1974) John Carpenter's voice, dubbed over Dre Pahich (as Talby)

National Hijinx

• [sample] 05:12 - You can see, you can hear and you can move. Do you understand? Answer me! (unintelligible robot speech) ...father. Yes Jeremy, you can see me. Can't move... I can't move. You can move. Uh!? You hear? You can walk. Can't, Can't! Walk Jeremy, now! Move... You can Jeremy, you can walk, right now! Caaaaaant! Now! ...Henry, turn off the control! (thud... thud... thud... thud... Zap!)
• [source] - The Colossus of New York: (Eugène Lourié, 1958) Otto Kruger (as Dr. William Spensser) and Ed Wolff (as The Colossus). Note: The voice of Colossus may be different from the actor in costume. Do you know?

• [sample] 09:17 - They weren't like your father at all. It reminded me so much of... of Jeremy's voice. Anne, drink this, please. It's my fault you've been so disturbed. Your fault? I've left alone so much, it's no wonder you've grown morbid, imagining you hear dead voices. But I'm going to change all that now. Now that the experiment's over, I'm going to spend my time looking after you and Billy... as much as you'll...
• [source] - The Colossus of New York: (Eugène Lourié, 1958) Mala Powers (as Anne Spensser) and John Baragrey (as Dr. Henry Spensser)

National Hijinx, Pt.2

• [sample] 00:03 - ...You think you can get some sleep now? I'll try. Good. I'd uh, better get back to the laboratory. They probably need me. They? Who's they? What? You said "they" need you. No, I couldn't have.
• [source] - The Colossus of New York: (Eugène Lourié, 1958) John Baragrey (as Dr. Henry Spensser) and Mala Powers (as Anne Spensser)

• [sample] 00:52 - What was it? That voice! Now, it's alright Anne. It's alright darling. But, what was it? I'll explain. First come away. Come darling. So, now you know all there is to know. Our experiment today turned out to be a complete failure, and when it did, my father lost his temper, violently. But, all that shouting and those terrible sounds. Anne you know the strain he's been under these past few months. Yes, but those cries those shouts, they weren't like your father at all, they reminded me so much of... of Jeremy's voice. Anne, drink this, please. It's my fault you've been so disturbed. Your fault? I've left alone so much, it's no wonder you've grown morbid, imagining you hear dead voices. But I'm going to change all that now. Now that the experiment's over, I'm going to spend my time looking after you and Billy...
• [source] - The Colossus of New York: (Eugène Lourié, 1958) Mala Powers (as Anne Spensser) and John Baragrey (as Dr. Henry Spensser)

• [sample] 03:30 - (party sounds) Hi Mr. (unintelligible), how are you? Hello. How are you? Oh Adam! Congratulations. Thank you. Excuse me. Good luck to you. Thank you very much. Thank you. Isn't this a lovely engagement party? Congratulations son. Thank you very much sir. Thank you. Oh, listen Adam I got you that appointment with the Dean over at North Central Missouri State and my brother-in-law fixed it up so you got nothing to worry about. Thank you. Anything for you son. Oh, by the way, I've got a charge account over at Mr. Swank's Men's store, so if you want to, you can just go over there and pick yourself up a nice suit and shirt and tie, the works, and charge it to me. Thank you very much. ... Where're you going? I've been sent for vanilla.
• [source] - Unknown: Do you know?

Sonny

• [sample] 00:00 - Sonny! Sonny, come on out. Sonny... You son of a bitch, you want to get those people killed? What the fuck is the matter with you? What? Why'd you fire that shot in there for? What were they doing back there? We got two-hundred and fifty cops here! Fuck you! What were they doing back there? What the hell's the matter with you? Are we dealing or aren't we? They were trying to get in there right? Who? Come on don't give me that shit, you know who! What the fuck is going on here? You're full of shit! Go around and find out what's going on back there! Honest to God, Sonny, I don't know what's going on here. Bullshit! Now, our communications aren't set up yet. Bullshit! I just sent somebody back there. God damn it! Get someone to talk to me! I'm not talking to you anymore. Let me talk to you. Let me talk to you. You tell me one thing and you do another. What were they doing back there? I don't know what the fuck they were doing back there! Yeah, you don't know. You're full of shit! I got a force back there, a tactical force.
• [source] - Dog Day Afternoon: (Sidney Lumet, 1975) Charles Durning (as Det. Sgt. Eugene Moretti) and Al Pacino (as Sonny Wortzik)